Whilst proselytizing agnostics overseas, the unmoved mover known as No Exist bridges time and space with a ‘slanted’ take on boom-bap. “Galleria” revitalizes our devotion to (d)evolution – self-sketches of the body, a reductionist physicality. Cosi broaches prospects of solipsism and self-censorship: “How to see yourself while filming yourself”? And indeed, he succeeds in a form of self-reflexive exhibitionism. A view into the window of privatized conceit.
